Archaeology of Criticism

 

Work

"A man's life work, despite his conscious intentions, reinforces values of certain sorts and ignore others, and operates within one set of cultural myths and ignores others." [Michael Novak, The Experience of Nothingness 43 (New York: Harper Colophon, 1971)]

"[E]very occupation or profession develops and takes specific stands to the world as a result of its craft." [Joseph Bensman & Robert Lilienfeld, Craft and Consciousness: Occupation, Technique and the Development of World Images 336 (New York: John Wiley & Sons, 1973)]

"[I]n the course of any specialized education or training, we acquire not only specific mental skills and a discipline, but a way of life. These ways of life are, at least in part, the management of impulse writ large: projections onto the screen of public life of processes that we each endure more privately. The conventions that bound these ways of life--like the images of the arts and sciences--are part of the 'deep' or hidden structure of what our education transmits. The life we lead is one that centers, to a considerable extent, around the observance or transgression of these bounding conventions." [Liam Hudson, Human Beings: The Psychology of Human Experience 140-141 (Garden City, New York: Anchor Books, 1975)]

"[C]reative people take an especially serious attitude towards their work and tend more than others to conceive of this work in value-laden terms: to project moral consequence into actions that other people would see from a merely technical or economic perspective." [Robert Grudin, The Grace of Great Things: Creativity and Innovation 69-70 (New York: Ticknor & Fields, 1990)]

"Perhaps it would be just in a daily lifelong attitude of 'seeing' that the noisy, chaotic activity I call my job could become a support for my attention instead of a distraction. Perhaps, if I attend to the reality that is in front of me moment by moment--phone, machine, pencil, boss, coffee--constantly failing, accepting to fail and to begin again--this perfectly ordinary work I do might become extraordinary work, might even become my craft." [Jean Kinkead Martine, "Working for a Living," in D. M. Dooling (ed.), A Way of Working 59-65, 64-65 (Garden City, New York: Anchor Books, 1979)]

"Socrates . . . appears to have felt a very close affinity with craftsmen, in whom he discerned competence and steadfastness, and perhaps a minimum of pretentiousness." [Henry G. Bugbee, Jr., The Inward Morning: A Philosophical Exploration in Journal Form 63 (New York: Harper Colophon, 1976)]

 

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