When asked about his films, director Peter Weir told interviewers he liked to think about them as "a kind of quest." [Peter Weir: Towards the Centre, Interview by Tom Ryan and Peter McFarlaine, 1981] In what sense is David Burton (Richard Chamberlain), the lawyer in "The Last Wave," engaged in a quest? In what sense is your legal education a quest?
In the 1981 interview, Weir told Ryan & McFarlaine he had tried to "unlearn" his training in "analytical thinking." "It is a tool that I have found I didn't want to use or live with." It might be interesting to note that Weir studied both arts and law at the University of Sydney before he dropped out of school and headed to London.
Why would anyone want to try to unlearn analytical thinking given that most of us go to such great lengths to learn how to do it well?
On deciding what films to make, Weir told his 1981 interviewers how "the connection with a story is important for me; a feeling that it is somehow a part of me — that I am part of the process of the film."
Should we try to have a similar connection with the clients we represent as lawyers?
How would each of the film lawyers we have studied be evaluated on Weir's criteria, that is, on their connection to the story represented by their client, that the client's story becomes part of the lawyer, and that the resolution of the client's problem is the lawyer's problem as well as the client's?
The ending of "The Last Wave" troubles some viewers. Weir said in the 1981 interview that "[t]he ending is still a problem for me."
I have to be honest and say that I didn't find the solution to the problem of how to end the film. There is no ending and I was painted into a corner. I have seen it happen with other filmmakers. . . . You can't end it. You can try to be clever, and I tried a couple of other endings . . . but they were just too neat. The ending just plagued me, and it was an extremely unhappy period. Part way through the film we broke over Easter. I remember a terrible few days wrestling with this ending and pretending I had found a solution to it. But I certainly had no plan I failed to execute.
Asked if looking back at the film he had an idea how he might end it, Weir replies: "No. It's just the last chapter is missing. I just have to leave it; don't look back."
Do lawyers, like filmmakers, sometimes have trouble with endings, or are we, by virtue of law's finality spared the problem of troubled, inconclusive endings?
Weir admitted to Ryan & McFairlaine he had a "sometimes" interest in myth.
On the aboriginal myth known as dreamtime: Wikipedia
How is the myth of law and of lawyers rediscovered, reinvigorated (created?) by way of lawyer films?
On mythology and law, see: James R. Elkins, An Archaeology of Myth
"Who Are You?" [YouTube clip: 5 min. 47 secs.]
Richard Chamberline photo montage from "The Last Wave" [YouTube]
You a Fish? Are You a Snake?"
The Known & the Unknown: Jordan Peterson
Chaos and Order
Reality and the Unknown
"You Can be Completely and Utterly Dead But You Can Only Be So Much Happier"
The Psychology Behind Getting Cheated On
Two Types of Unknowns
Chaos is Hiding in Things You Ignore
The Hero's Journey
Capturing the Sense of David Burton's Journey
We Need the Dreamers, Poets, and Doers
N1. Peter Weir wrote the film script for "The Last Wave."
N2. Peter Weir studied both art and law at Sydney
University before taking on minor TV work in the early 1970s.
for Peter Weir]
N4. I recommend two of Weir's films: "The Plumber" (1978) [YouTube: trailer] and "The Year of Living Dangerously" (1982) [Wikipedia]. Some of you will have seen Weir's "Green Card" (1990); "Dead Poet's Society" (1989); and "The Truman Show" (1998). If you've not seen Weir's "Picnic at Hanging Rock" (1975) [Wikipedia], it an essential film for Weir fans.
N5. If you find Peter Weir's "The Last Wave" interesting, you'll also want to see two additional movies: Nicholas Roeg's "Walkabout" (1970)(described by Justine Kelly in sense of cinema as "a haunting film, set in a fading but spectacular world—ancient Australia) and "Where the Green Ants Dream" (1985)("Acclaimed director Werner Herzog . . . delivers a thought-provoking dram about a tribe of Aborignes and their fight to protect their homeland from an advancing modern civilization. At the center of the action is a conflicted geologist (Bruce Spence) tasked with spearheading a mining operation that just so happens to be located on sacred Aboriginal ground." ~Netflix)
In "The Last Wave," David Gulpili plays the tribal Aboriginal man, Chris Lee.
N7. Bruce Chatwin: Viewers of "The Last Wave" intrigued by the film's Australian Aboriginal world, will find Bruce Chatwin's The Songlines (New York: Viking, 1987) of interest.
N9. Photomontague Tributes
N10. Judge Murray Sinclair, a Manitoba Ojibway, speaks on 'How to Be a Lawyer': [YouTube video] [Murray Sinclair--Wikipedia] [In 1988, Murray Sinclair became Manitoba's first Aboriginal judge, and only the second Aboriginal judge in Canada.]