Why do we write and mythologize our work? How do we, in our writing, seek meaning in the ritual of work, and in the analytics of our practices?

ritual

  A surgeon becomes a writer. He asks himself why. Why does a man "whose fingers are more at home in the steamy gullies of the body . . . who feels the slow slide of intestines against the back of his hand and is no more alarmed than were a family of snakes taking their comfort from such an indolent rubbing. . . . [W]ho palms the human heart as though it were some captured bird." Why would such a man write? "Is it vanity that urges him? There is glory enough in the knife. Is it for money? One can make too much money. No. It is to search for some meaning in the ritual of surgery, which is at once murderous, painful, healing, and full of love. It is a devilish hard thing to transmit—to find, even." [Richard Selzer, Mortal Lessons: Notes on the Art of Surgery 15 (New York: Simon and Schuster, 1976)]


  "The characteristic effect of mythic themes and motifs translated into ritual . . . is that they link the individual to transindividual purposes and forces. . . . [I]n all areas of human social intercourse, ritualized procedures depersonalize the protagonists, drop or lift them out of themselves, so that their conduct now is not their own but of the species, the society . . . or the profession. Hence, for example, the rituals of investiture of judges, or of officers of the state: those so installed are to function in their roles, not as private individuals but as agents of collective principles and laws. And even in private business exchanges, the patternings of deeds and contracts, bargainings and threats of recourse to law constitute the ritual rules of a recognized game, relieving the confrontation—to some extent, at least—of personal accent. Without such game rules no society would exist; nor would any individual have the slightest idea how to act." [Joseph Campbell, Myths to Live By 56-57 (New York: Bantam, 1973)]


  "The function of ritual . . . is to give form to human life, not in the way of a mere surface arrangement, but in depth. In ancient times every social occasion was ritually structured and the sense of depth was rendered through the maintenance of a religious tone. Today, on the other hand, the religious tone is reserved for exceptional, very special 'sacred' occasions. And yet even in the patterns of our secular life, ritual survives. It can be recognized, for example, not only in the decorum of courts and regulations of military life, but also in the manners of people sitting down to table together.

Myths are the mental supports of rites; rites, the physical enactments of myths. By absorbing the myths of his social group and participating in its rites, the youngster is structured to accord with his social as well as natural environment, and turned from an amorphous nature product, prematurely born, into a defined and competent member of some specific, efficiently functioning social order." [Joseph Campbell, Myths to Live By 43, 45 (New York: Bantam, 1973)]


  "Ritual cloaks the fundamental disharmonies of social structure by affirming major loyalties to be beyond question." [Max Gluckman, Politics, Law and Ritual in Tribal Society 299 (Chicago: Aldine Publishing Company, 1965)]


  "The characteristic effect of mythic themes and motifs translated into ritual . . . is that they link the individual to transindividual purposes and forces. . . . [I]n all areas of human social intercourse, ritualized procedures depersonalize the protagonists, drop or lift them out of themselves, so that their conduct now is not their own but of the species, the society, the caste, or the profession. Hence, for example, the rituals of investiture of judges, or of officers of the state: those so installed are to function in their roles, not as private individuals but as agents of collective principles and laws. And even in private business exchanges, the patternings of deeds and contracts, bargainings and threats of recourse to law constitute the ritual rules of a recognized game, relieving the confrontation—to some extent, at least—of personal accent. Without such game rules no society would exist; nor would any individual have the slightest idea how to act." [Joseph Campbell, Myths to Live By 56-57 (New York: Bantam, 1973)]


  "A profession to be worthy of the name must inculcate in its members a strong sense of the special obligations that attach to their calling. One who undertakes the practice of a profession cannot rest content with the faithful discharge of duties assigned to him by others. His work must find its direction within a larger frame. All that he does must evidence a dedication, not merely to a specific assignment, but to the enduring ideals of his vocation. Only such a dedication will enable him to reconcile fidelity to who he serves with an equal fidelity to an office that must at all times rise above the involvements of immediate interest." ["Professional Responsibility: Report of the Joint Conference," in Andrew Kaufman, Problems in Professional Responsibility 2-16, at 4 (Boston: Little, Brown, 2nd ed., 1984)]


  When we ask surgeons and lawyers why they do the work they do, we may find they work for money, status, honor, acclaim, or power. Lawyers, like surgeons, are urged on by vanity and by money, but beneath the "cover story" Richard Selzer talks about a "ritual of surgery, which is at once murderous, painful, healing, and full of love." Students of law too are in search of something. We know that lawyers are human, mortal, infected by the cultural currents of their time, yet, they quest beyond the sweet smell of success in the many rituals of lawyering, standing forth as an advocate, locating the client (and oneself) in and then escaping the labyrinth of legal rules, tending to or rescuing those who have fallen into the path of law's way, speaking truth to power, contesting the limits of fairness, equality, and justice.

Consider the following observations by Erik Erikson on ritual: "[W]e must realize from the outset that ritualization is an aspect of everyday life which is more clearly seen in a different culture or class or even family than in our own, where, in fact, ritualization is more often than not experienced simply as the only proper way to do things; and the question is only why does not everybody do it our way." The closer to home we are the harder it is to see ritual. We see the ritual of others before we see our own. Ritualized activity, the habits of craft, forgets itself. The purpose is driven out of sight, goes underground, becomes unconscious. Ritual is an activity that both denies and confirms context. It is easy enough then, to understand how modernism destroys ritual.

Erikson claims a cultural value for ritualization in the elevation of immediate personal needs into a broader communal context; the teaching of good ways to do simple and practical task of everyday life; deflecting feelings of unworthiness on others without and within the culture; confirmations of identity and the stages that it must pass through; placing cognitive patterns of thought in service of a shared communal vision; the development of sacramental meaning in particular activities; development of a moral imagination, a kind of ethical discernment.

It is from the ritualizations of everyday life that we construct a moral and human universe, the contexts we make, live, and break. Erikson provides yet another way of seeing the situations we are in (context) and the fragmentation of perspective (conditionality). Context/ritualizations help us know our doing, to grant our doing credence, and have it in turn sustain us. In doing, that which is small and routine, and that which is public and significant, we operate within a vision. "Visions are grounded in facts verifiable in some detail and yet arranged to fit within a cosmology and an ideology that unite groups of human beings in mutual actualizations."

Erikson suggests that we have a need, a deep human need for a context that makes meaningful all other context, a perspective from which one might stand to view all of human activity, our own experiences and our own consciousness of the world. There is a drive toward what Erikson calls a "shared vision." The shared version of a communal world view makes it possible to imagine an "eternal renewal" and "techniques and rituals, hierarchies and battle lines" which delineate an I that shares the world with others. "Only thus does man feel protected against the doom of some primal curse-is it that of non-existence?-and able to face the verdict of a last judgment where only the elect few will be saved, while all others-those excluded from choices-will perish." The urge for transcendence gives rise to efforts to find a "shared vision." [Erik H Erickson, Toys and Reasons: Stages in the Ritualization of Experience 80, 82-83, 122, 125 (New York: W.W. Norton, 1977)]

Joseph Campbell has pointed out that

The function of ritual . . . is to give form to human life, not in the way of a mere surface arrangement, but in depth. In ancient times every social occasion was ritually structured and the sense of depth was rendered through the maintenance of a religious tone. Today, on the other hand, the religious tone is reserved for exceptional, very special "sacred" occasions. And yet even in the patterns of our secular life, ritual survives. It can be recognized, for example, not only in the decorum of courts and regulations of military life, but also in the manners of people sitting down to table together.

All life is structure.

* * * *

Myths are the mental supports of rites; rites, the physical enactments of myths. By absorbing the myths of his social group and participating in its rites, the youngster is structured to accord with his social as well as natural environment, and turned from an amorphous nature product, prematurely born, into a defined and competent member of some specific, efficiently functioning social order.

* * * *

The characteristic effect of mythic themes and motifs translated into ritual, consequently, is that they link the individual to transindividual purposes and forces. . . . [I]n all areas of human social intercourse, ritualized procedures depersonalize the protagonists, drop or lift them out of themselves, so that their conduct now is not their own but of the species, the society, the caste, or the profession. Hence, for example, the rituals of investiture of judges, or of officers of the state: those so installed are to function in their roles, not as private individuals but as agents of collective principles and laws. And even in private business exchanges, the patternings of deeds and contracts, bargainings and threats of recourse to law constitute the ritual rules of a recognized game, relieving the confrontation—to some extent, at least—of personal accent. Without such game rules no society would exist; nor would any individual have the slightest idea how to act. ["The Importance of Rites," in Joseph Campbell, Myths to Live By 43-60, at 43, 45, 56-57 (New York: Bantam edition, 1973)].

"[W]e would expect ritualization to be a major link between the ego's propensity for orientation in space and time and the world views dominating (or competing in) a society. In psychopathology, however, we can (and should) study the way ritualized schemes of behavior have fallen apart, isolating persons and their lonely conflicts. We may then offer therapeutic ritualizations which provide new insights into human adaptation. But only in the study of "live" ritualization in everyday life can we learn how person and conflicts find a mutual fit in generational patterns, or how, indeed, the lack of true ritualization or its decline into false ritualism can lead to social pathology." [Erikson, Toys and Reasons: Stages in the Ritualization of Experience, at 83-84]

Throughout life, the everyday establishment of boundaries of good or bad and of clean and unclean as they culminate in the judiciary ritual in the adult world fulfill the criteria for all rituals: meaningful regularity; ceremonial attention to detail and to the total procedure; a symbolic sense surpassing the reality of each participant and of the deed itself; a mutual activation of all concerned (including, or so it is hoped, the confessing culprit); and a sense of absolute indispensability.

* * * *

In its full elaboration in the spectacle of a trial this judicious element is reaffirmed on a grand scale, making all-visible on the public stage a drama that is familiar to each individual's inner life—for the law, we must be made to believe, is untiringly watchful as is, alas, our conscience. The principle of it all, written into our belief system as it is ossified in the lawbooks, is fulfilled where law enforcement delivers a suitable culprit. Once in the dock, he serves as "an example," on which a multitude can project their inner shame, as his deeds are made to parade past the parental judge, the fraternal jury, and the chorus of the public. Judgment is pronounced as based on sanctified agreement rather than on passing outrage or personal revenge; and whether or not the culprit accepts the punishment with repentance, and whether or not the punishment will, indeed, "teach him a lesson," justice has been served.

* * * *

[T]here is no ritual-up to the Last Judgment-which does not imply a severe discrimination between the sanctioned and the out-of-bounds.

* * * *

To learn to avoid being laughed at, then, means to learn to look at ourselves and our acts from outside and to adjust our will to the views of those who judge us. But this also demands the development of that inner self-watch which Freud called the super-ego, that is, literally a part of ourselves standing watch over the rest of ourselves and confronting us with detestable self-images. We thus learn to look down upon ourselves as unworthy and guilty, and are apt to do so with such cruelty that we sometimes feel relieved only when punished. Nor could we face ourselves did we not also learn to look down on others as we look down on creeping creatures.

* * * *

[I]n the ritualization of approval and disapproval (in recurring situations of high symbolic meaning) ...the adult speaks as a judicial mouthpiece of a communal righteousness, damning the deed, but giving another chance to the doer?

* * * *

In seeing the judicious factor at work, however, in public and in private, we can also perceive where this form of ritualization can fail in its adaptive function: in the convincing transmission of bearable and workable boundaries from generation to generation. The judicial ritual at large, with its task of establishing objective legal guilt as a threatening example to potential culprits, is all too often too far removed from the subjective processes which make a person feel morally liable. The judicial system actually can feed on the morally unreliable, for it tends to emphasize fearful compulsion to conform rather than free assent to what feels right; it can emphasize the obsessively formalistic and bureaucratic over the convincingly ceremonial; while with its display it may feed sensational voyeurism, and in its penal procedures, moralistic sadism. All of this increases the hopeless isolation of the culprit and can aggravate a rage which will only make him more "shameless." Thus, the second great element of ritualism comes to the fore, which we may call legalism: the victory of the letter over the spirit of the word and the law. It is expressed in the vain display of righteousness or empty contrition, or in a moralistic insistence on exposing and isolating the culprit whether or not this will be good for him or anybody else. All this concerns the inner deals which human beings make with their own sense of righteousness and shame, and the "political" deals made possible by the legalistic mechanisms of justice.... As ritualization fails to prevent the alternation of shameless impulsivity and meticulous compulsivity, of excess and of self-restriction in individuals, so the institution can fail to stem either widespread lawlessness or a punitive miscarriage of justice. [Erikson, Toys and Reasons: Stages in the Ritualization of Experience, at 96, 95-96, 92, 93, 94, 96-97. Erikson goes on to note that the judicious element of ritual requires dramatic elaboration, formal competence, ideological commitment, and numinousity.]

defining myth