Psychology
for Lawyers
c.g. jung, james hillman & active imagination
Preface

"[Psyche is a] realm of images . .
. ."
--James Hillman, "Peaks and Vales:
The Soul/Spirit Distinction as Basis for the Difference between Psychotherapy
and Spiritual Discipline," in Jacob Needleman & Dennis Lewis,
On the Way to Self Knowledge 114-141, at 114-115 (New York:
Alfred A. Knopf, 1976)
"The realm of the imagination is central to psychoanalysis and
Jungian psychology in particular. It is through the faculty of the imagination
that we can access unconscious content, attitudes, ideologies and orientations
that are typically hidden from consciousness."
--Archetypes, Applied Jung Lexicon, Centre
for Applied Jungian Studies
"The dialogical approach [an "inner dialogue with imaginal
figures] that Jung developed in . . . was subsequently elaborated into
the method of active imagination, which became the cornerstone
of Jungian psychotherapy.
* * * *
As Jung readily acknowledged, the dialogical approach is not meant
for everyone. It is pointless, [Jung] suggested, 'to subject a simple
soul who lacks nothing but a dose of common sense to a complicated analysis
of his impulses, much less expose him to the bewildering subtleties
of psychological dialectic; on the other hand, 'with complex and highly
intelligent people we shall get nowhere by emplying well-intentioned
advice, suggestions, and other efforts to convert them to some kind
of system.' The second type of person, Jung argued, can best be helped
by providing them an opportunity in a genuinely dialogical situation
to develop and express their own uniquely individual understandings
of their difficulties.'"
--William E. Smythe, The Dialogical Jung:
Otherness Within the Self, 3 Behav. Sci. 634, 640, 641 (2013) [online
text]
"[A]ctive imagination is an effective tool that anybody can use
to further assimilate and understand his or her own unconscious contents."
--Active Imagination: The Interior Vision, The Depth Coach, Blog [online
text]
Readings

Mary Watkins, Invisible Guests: The Development of Imaginal Dialogues
1-5 (Boston: Sigo Press, 1990)
___________, The Characters Speak Because They Want to Speak, Spring
(1983) [the essay, in a different version, appears in Mary Watkins,
Invisible Guests: The Development of Imaginal Dialogues 93-106
(Boston: Sigo Press, 1990)] [online
text]
Pieter Middelkoop, The Wise Old Man: Healing through Inner Images
1-12, 140-148 (Boston: Shambhala, 1989)
Daryl Sharp, The Jung Leixcon: Personification [online
text]
Personifying Aspects of the Unconscious [online
text]
Jason Butler, Beginning with Image, Presentation a a Jungian Society
for Scholarly Studies Conference, 2012 [online
text]
"The Pandaemoniusm of Images: Jung's Contribution to
Know Thyself," in James Hillman, Healing Fiction 53-63,
68-70, 78-81 (Station Hill, New York: 1983)
Class Videos

Class Viewing: James
Hillman: Jung and Active Imagination [33:54
mins.] [passing references
to the Red Book, Jung's account of his efforts to understand
his confrontation with the unconscious; a "book of torment";
"a book of initiation"; a "heretical document";
a "heroic task"] Pt2
[35:38 mins.] [end at 13:11 mins.] Not shown in class: Pt3
[36:33 mins.] Pt4
[37:45 mins.] [In the Hillman presentation
there are frequent references to Jung's Red
Book]
Course Resources

C.G. Jung's Red Book |
James Hillman
Reference (Active Imagination)

C.G.
Jung: The Power of Imagination
[1:42 mins.]
Murray Stein
on Active Imagination
[9:32 mins.] [end presentation at 4:30 mins.]
Complexes
and Imagination
[46:06 mins.] [Verena Kast, training analyst, C.G. Jung Institute, Zurich,
Switzerland] [Kast comments on active imagination
begins at 4:08 mins., end at 11:23 mins.] [Kast
on complexes, at 11:23 mins.; a therapeutic application of Kast's ideas
on complex theory begins at 14:08 mins.; end complex commentary at 23:10
mins.] [Complexes]
Jung's Technique
of Active Imagination
[2:47 mins.] [Sonu Shamdasani, editor of Jung's
Red Book, discusses Jung's approach to active imagination]
Jung's Theory
of Active Imagination and the Shadow: A Conversation with Anna Guerra
[16:01 mins.] [Anna Guerra is a depth psychotherapist in private practice;
she teaches at the Jung Center of Houston] [pointing out that Jung saw
active imagination as central to psychotherapy] [focus on dealing with
"images" and not "figures"] [reference to mindfulness]
[poor quality video] [transcript]
How to Learn
the Active Imagination Technique
[2:12 mins.]
Depression and
Active Imagination
[4:49 mins.] [Art Rosengarten] [on the use of sandplay
therapy]
Richard H. Siegal
Inner Mind Hypnosis
[1:22 mins.] [using the term "subconscious
mind" to refer to what is commonly, in Freudian and Jungian circles,
known as the unconscious realm of the psyche]
Lecture
[40:15 mins.]
James Hillman
James
Hillman Lectures and Interviews [1:25:45 mins.]
[class presentation, begin at 0:32 mins., end at 2:14 mins., resume
at 15:20 mins., end at 18:42 mins. (another possible end, at 23:56 mins.)]
[approx. viewing time 6 mins.]
Notes: James Hillman
James Hillman, "Peaks and Vales: The Soul/Spirit Distinction
as Basis for the Difference between Psychotherapy and Spiritual Discipline,"
in Jacob Needleman & Dennis Lewis, On the Way to Self Knowledge
114-141 (New York: Alfred A. Knopf, 1976):
"Because our tradition has systematically turned against soul
. . . [t]his has led eventually to a psychological disorientation
. . . ." [115]
"The hatred of the image, the fear of its power, and of the
imagination, is very old and very deep in our culture." [116]
"I want to remind you of Jung's position, from which I have
developed mine. Jung's psychology is based on soul." [117]. "So,
Jung said, if you are in search of soul, go first to your fantasy
images, for that is how the psyche presents itself directly. All consciousness
depends upon fantasy images. All we know about the world, about the
mind, the body, about anything whatsoever . . . [including] the nature
of the divine, comes through images and is organized by fantasies
into one pattern or another. . . . Because these patterns are archetypal,
we are always in one or another archetypal configuration, one or another
fantasy, including the fantasy of soul . . . . 'The 'collective unconscious,'
which embraces the archetypes, means our unconsciousness of the collective
fantasy that is dominating our viewpoints, ideas, behaviors, by means
of the archetypes.
Let me continue for just a moment with Jung . . . who says, 'Every
psychic process is an image and an imagining.' The only knowledge
we have that is immediate and direct is knowledge of these psychic
images." [118]
"We are always in one or another root-metaphor, archetypal fantasy,
mythic, perspective." [119]
"[T]he archetypal question is . . . who among the variety
of figures of which we are each composed, which archetypal figure
or person, is in this happening? What God is at work in calling us
up the mountain or in holding us to the vales? For archetypal psychology,
there is a God in every perspective, in every position. All things
are determined by psychic images . . . . All things present themselves
to consciousness in the shapings of one or another divine perspective.
Our vision is mimetic to one or another of the Gods." [128]
"Without this archetypal component affecting our lives, there
would be no spiritual drive, no new sparks, no going beyond the given,
no grandeur and sense of personal destiny." [129]
Web Resources

Active Imagination
[Wikipedia]
Active Imagination
[Lawrence H. Staples, Jung Society of Washington]
Active Imagination
in the Psychology of C.G. Jung
[Maxson J. McDowell]
Jungian
Therapy 101: Active Imagination
[Jason E. Smith, Heartsfire Counseling]
Dwelling
Imaginally in Soulless Times: An Appreciation of the World of James
Hillman
[Sylvester Wojtkowski]
Bibliography

Joan Chodorow (ed.), Jung On Active Imagination (Princeton,
New Jersey: Princeton University Press, 1997)
Barbara Hannah, Encounters with the Soul: Active Imagination as
Developed by C.G. Jung (Santa Monica, California: Sigo, 1981)
Robert A. Johnson, Inner Work: Using Dreams and Active Imagination
for Personal Growth (San Francisco: Harper & Row, 1986)

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