Irwin Russell
(1853-1879)
Mississippi
The following biographical sketch of Irwin Russell
by James W. Webb appears in James B. Lloyd (ed.), Lives of
Mississippi Authors, 1817-1967 397-98 (Jackson, Mississippi:
University Press of Mississippi, 1981) [the sketch
is reproduced here with the permission of the University Press
of Mississippi]:
Irwin Russell, lawyer, poet, and essayist, was born in Port
Gibson, Mississippi, on 3 June 1853. His father was a local
physician and his mother was a teacher in the Port Gibson Female
College. When he was a young and delicate child he injured one
of his eyes while playing with a table fork. His mother appears
to have been overly protective, not allowing him to indulge
in the rough-and-tumble outdoors with other children of the
neighborhood. This fact left him much to himself, causing him
to resort to and to develop his powers of imagination and introspection.
He learned to read and understand the writings of John Milton
at a very young age. Robert Burns later became one of his favorite
poets. However, as he grew older he found opportunity to escape
his mother's supervision and participated in pranks about the
town with the other boys, even taking the leadership in scheming
and carrying out some of them. One of them involved the prominent
suffragette, Dr. Mary Walker, who was making speeches and leading
demonstrations about the country. She had seen service in the
Union Army as a physician. While she was in St. Louis, Russell
and his friends thought it would be a good idea to invite her
to Port Gibson to break the tedium of the small town. Russell
wrote the letter, signing a fictitious name. She accepted the
invitation, came down by riverboat, took the train at Grand
Gulf for some ten miles to Port Gibson and appeared at the station
wearing a hat resplendent with artificial flowers, a frilly
waistcoat, and men's trousers. She soon discovered the hoax
and the perpetrators and Russell's father smoothed out matters
by payment of all expenses.
Russell attended the local schools in Port Gibson and then
went on to the University of St. Louis where he completed his
formal education with distinction. One of his favorite studies
was mathematics. After returning to Port Gibson he read law
in the office of Judge L. N. Baldwin and by special act of the
Mississippi legislature was admitted to the bar at the age of
nineteen. After practicing law for a brief time-conveyancing
was his specialty-he discontinued law to take up writing as
a career.
Russell became interested in printing and acquired a small
hand press. He assisted in organizing the local Thespians and
wrote a play. The parts were given out, but the play was never
produced because of the onset of a yellow fever epidemic. The
script was never recovered. During this period of his life he
produced some of his best poems, of which the best known is
an operetta, "Christmas Night in the Quarters" (1878). Among
others were "Half Way Doin's," "Nebuchadnessar," "Precepts at
Parting," and "Mississippi Witness." These pieces gained the
attention of editors in New York. Encouraged by Henry C. Bunner,
editor of Puck, and Richard Watson Gilder and Underwood
Johnson of the staff of Scribner's Monthly Magazine,
Russell left for New York and a literary career. He soon became
a featured writer in the "Bric-A-Brac" section of Scribner's
Monthly, writing chiefly Negro dialect poems illustrated
with line and silhouette drawings of the characters in action
(the South was rich in such materials as Page and Harris's Georgia
crackers and old fashioned Blacks, Cable's Louisiana Creoles,
and Russell's Negro and Irish characters).
After a brief time in New York, where he suffered with bouts
of illness, heavy drinking, and homesickness, Russell took a
job on the steamer Knickerbocker as a coal heaver and
worked his way to New Orleans, where he took an assignment on
the New Orleans Times. After a brief time there he died
on 23 December 1879 of exposure and pneumonia in a cheap boarding
house on 73 Franklin Street at the age of twenty-six. He was
buried in New Orleans but his body was later removed to Bellefontaine
Cemetery in St. Louis.
Selected writings of Russell were collected by Charles C. Marble
and published in a small volume in 1888 with an introduction
by Joel Chandler Harris. In 1917, an expanded volume illustrated
with drawings from Scribner's Monthly was published by
the Century Company, with an introduction by Harris. In 1907,
a tribute to the poet's memory was paid by the school teachers
of Mississippi in the form of a marble bust which was placed
in the Hall of Fame in the old capitol building. It is a particularly
fine piece of work done by Elsie Herring, a pupil of Augustus
Saint-Gaudens. Irwin Russell had earned for himself a significant
place in Southern and American literature along with Joel Chandler
Harris, Thomas Nelson Page, George Washington Cable, and other
writers of the 1870's, a critical period in the history of the
South. Russell's chief contribution is his treatment of the
Negro as the central character in a Negro's world, an approach
taken by Roark Bradford and other of the next century.
In the introduction to the 1888 and 1917 publications of Russell's
poems, Harris states that Russell "was among the first-if not
the very first-of Southern writers to appreciate the literary
possibilities of the negro character, and of the unique relations
existing between the two races before the war, and was among
the first to develop them. . . . His negro operetta 'Christmas
Night in the Quarters,' is inimitable. It combines the features
of a character study with a series of bold and striking plantation
pictures that have never been surpassed. . . . But the most
wonderful thing about the dialect poetry of Irwin Russell is
his accurate conception of the negro character." These statements
have stood up rather well. Russell was thoroughly familiar with
his material-the newly freed Blacks at their dances, Christmas
celebrations, and church meetings-which was all in folk tradition
and cast in dialect. He drew on the Black's shrewdness in contact
with his former master, his aphorisms, and use of Scripture.
His "Christmas Night in the Quarters" is a series of poems conceived
as the result of a visit to the quarters on the Jefferies plantation
during a Christmas season. After returning to his room late
in the night he wrote the entire poem with very little subsequent
revision. But the Civil War, Reconstruction, the yellow fever,
his drinking, and loneliness were too much for this man of genius.
He died too young; otherwise, he no doubt would have gone on
to greater achievement.
Russell graduated in 1869. Fond of mathematics,
he chose law for a profession. His admission to the the Mississippi
bar at the age of nineteen required a special act of the legislature.
After taking up the law, Russell learned the printed trade and
had a "taste for rare books." He is now considered "one
of the first to perceive the artistic possibilities of the negro
dialect and to appreciate the pathos and humor of negro character
. . . ." Still a young man, he lost his father in the yellow
fever epidemic of 1878, whereupon he left for New York to be among
other literary men. He was nursed through illness while in the
city, but decided to return to New Orleans. At the New Orleans
Times, there were friends and some heavy drinking. "Soon
the life of brilliant promise was ended in the house of a poor
Irish woman who took him in for a pittance and tenderly nursed
him during his delirium." He died in New Orleans at age 26.
[W.P. Trent, Southern Writers: Selections in
Prose and Verse 457-458 (New York: MacMillan Company, 1905)]
Russell is said to have "read Milton at the age
of six, [and] found literature and adventure more to his taste than
attorney's briefs. He had taken several vacations from the law,
to go on exciting trips to New Orleans and Texas, and the life on
the Mississippi with its fascinating characters had challenged his
imagination. His first poem, 'A Chinese Tale,' appeared in 1869
. . . [and his poetry often appears] under pseudonyms. His best
poems were in Negro dialect . . . ." [Stanley
J. Kunitz & Howard Haycraft (eds.), American Authors 1600-1900:
A Biographical Dictionary of American Literature 665 (New York:
H.W. Wilson Company, 1938)]
[See also: Noel E. Polk &
James R. Scafidel, An Anthology of Mississippi Writers 121-122
(Jackson: University Press of Mississippi, 1979)]
Russell: Dialect Writers
Irwin Russell
Mississippi Writers Page
Poem
De Fust Banjo
Poetry
Irwin Russell, Poems (New York: Century Co.,
1888) [online text]
__________, Christmas-Night in the Quarters, and
Other Poems (New York: Century Co., 1917) [online
text]
__________, Christmas Night in the Quarters
(Jackson: Mississippi Historical Society, 1970)
Law Poetry Anthologies
Irwin Russell, "The Mississippi Witness"
and "The First Client," in Ina Russelle Warren (ed.),
The Lawyer's Alcove: Poems by the Lawyer, for the Lawyer and
about the Lawyer 30-31, 136-137 New York: Doubleday, Page &
Company, 1900)(Buffalo, New York: William S. Hein & Co., Inc.,
1990)
Bibliography
Harriet R. Holman, "Irwin Russell," in Louis
D. Rubin, Jr. (ed.), A Bibliographical Guide to the Study of
Southern Literature 282 (Baton Rouge, Louisiana State University
Press, 1969)
"Irwin Russell," in William Malone Baskervill,
1 Southern Writers: Biographical and Critical Studies1-40
(Nashville: Publishing House of M.E. Church, 1897)
Jens Nyholm, Irwin Russell: A biographical and Critical
Study, M.A. thesis, George Washington University, 1934.
James Wilson Webb, Irwin Russell's Position in
Southern Literature, 4 Studies in English 49-59 (1963)
________________, New Biographical Material, Criticism,
and Collected Writings of Irwin Russell, M.A. thesis, University
of North Carolina, 1940
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